Dear All:
We are following the syllabus as usual -- no changes! As a reminder, please bring back your case study materials to Tuesday's class meeting, since we are extending the case study into next week and performing our workshop on those genres.
See you then, if not before,
-Prof. Graban
Added on 10/7: Folks, after our workshop today, I'll be directing each group to answer some of the following questions. You can feel free to compose your response as a "comment" on this post.
Today, we're synthesizing principles that may help us better understand Kaufer's "levels of conflict" in a way that is meaningful to making policy arguments in the public sphere. I'm not so sure that the best way to use Kaufer's article is simply to apply one or more of his stock issues to what we're doing. Instead, I think Kaufer gives us several options for understanding how policy conflicts are diagnosed, but it's up to us to decide how his classification of conflicts fits with our other logical, rhetorical, and discursive knowledges, and what questions this raises for public sphere writing on potentially polarizing issues. So -- onward! Please answer
one of the following questions:
1) How does one of the texts you discussed present other possibilities for responding than just dis/agree? Based on how the writer uses historical evidence, please respond in terms of some of the things you analyzed for today (e.g., claim structure, stasis level, conflict analogy, stylistic "ethics," value terms, clarity, etc.). Whatever you do -- and with the full knowledge that the writer's language is not the only factor in this discourse -- please try to build a coherent theory of how this text uses history to make a policy argument, or how it uses history to respond to a problem of discourse. "Building a coherent theory" requires more than just making assumptions about what the writer does or what the audience knows, and it requires more than just making generalizations.
2) In one of the texts you discussed, where do you see conflict and perspective most clearly? Where are you included or excluded as a reader? Drawing on some of today's concepts (e.g., claim structure, stasis level, conflict analogy, stylistic "ethics," clarity, etc.) please try to build a coherent theory explaining why/how this has occurred. Pay special attention to the role of key terms in the text -- especially if you think certain time-tested definitions of a term are being challenged, or if you think a term is being used significantly but without explicit definition or discussion. Again, "building a coherent theory" requires more than just making assumptions about what the writer does or what the audience knows, or making generalizations.
3) Revisit one of the texts you discuss and decide whether it qualifies as a “simulation” of an argument or whether it qualifies as a real “ethical deliberation” (Jones 158). Justify your choice in Jones’s terms. Also, justify your choice in Kaufer's claim about weight of policy conflicts versus scale of conflict (61). Finally, justify your choice in terms of some of the other things you gridded for today (e.g., stylistic "ethics," clarity, word choice or ideographs, etc.). It's possible you will find a statement similar to what Williams and Bizup might call an "ethical violation of style" (e.g., obscurity, misdirection, subversive clarity, opacity) (Style lesson 11) or what Jones might call a violation of “The Usage Rule” (177). If so, explain how that occurs.
4) Is there anything in one of the texts you discussed that acts like a "value" term or an "ideograph"? The concept of "Ideograph" was popularly coined for rhetoric by Michael Calvin McGee, although the word in its general definition has existed for some time. McGee's "ideograph" is a word that uses abstractions in order to develop support for a political position (e.g., "freedom," "liberty," "justice," "pursuit of happiness," etc.). Not just any term can be an ideograph, but if -- in the context of discourse -- the word carries ideological assumptions and inspires familiar associations among an audience, it is likely functioning this way. Please draw on some of the concepts we analyzed for today in explaining your ideograph.